Please use this identifier to cite or link to this item:
Title: A “mordida da inveja”: defesa da obra e imagens de autoria ovidiana no De Mulieribus Claris de Giovanni Boccaccio
Other Titles: "Envy’s bite”: the defense of the oeuvre and ovidian authorial images in Giovanni Boccaccio’s De Mulieribus Claris
Keywords: Boccaccio, Giovanni, 1313-1375
Imagem de autoria
Carreira poética
Defesa da obra
Figura autoral
Authorial image
Literary career
Oeuvre defense
Authorial figure
Issue Date: 2017
Publisher: Universidade Federal de Minas Gerais (UFMG), Faculdade de Letras (FALE)
Citation: JULIANI, T. J. A “mordida da inveja”: defesa da obra e imagens de autoria ovidiana no De Mulieribus Claris de Giovanni Boccaccio. Nuntius Antiquus, Belo Horizonte, v. 13, n. 1, p. 85-105, 2017. DOI: 10.17851/1983-3636.13.1.85-105.
Abstract: This article proposes a discussion about the construction of Giovanni Boccaccio’s (1313-1375) authorial image, focusing on the relation of this construction and elements of the Roman poet Ovid (43 B.C.-17 A.D.) author’s representation. More specifically, we will focus on aspects of the image of an author who defends his work from the envy of potential critics. Excerpts from the Decameron(1348-1351) and the work De Mulieribus Claris(1361-1362), among the boccaccian corpus selected, will be compared with excerpts from the Ovidian texts of Remedia amoris(1 B.C.-1 A.D.) and Tristia (9-12 A.D.). This comparison will be supported by an intertextual methodology applied to classical studies. Thus, this article will convey that the comparison between passages of Boccaccian and Ovidian texts raises new possible readings of the work of the Renaissance author, providing us with renewed reflections on Boccaccio’s authorial representation.
Appears in Collections:DEL - Artigos publicados em periódicos

This item is licensed under a Creative Commons License Creative Commons