Discutindo polifonia: Bakhtin e o círculo no pré-ensaio de orquestra da corporação musical Euterpe Operária

Abstract

Considered the philosopher of dialogical language, Bakhtin proposes several concepts that point to this understanding. The discussions, regarding the concept of Polyphony, for Bakhtin and the Circle, seek to account for how this event presents itself, in an understanding that the presence of more than one voice is not enough, (understanding, here, voice, as any phenomenon that presents itself from the interaction between subjects), but of unmerged voices and consciences, with equal rights, each of them with its own world. The general objective of this research was to verify if the polyphony as proposed by Bakhtin, is present in the pre-rehearsal event of a musical corporation. As specific objectives we have proposed to analyze, in the orchestra pre-rehearsal selected to compose the corpus the means by which: a) consciences are built as an intersubjective event; b) utterance., as replicas of saying, do and understand, participate in the construction of voices and consciences in polyphony condition; c) musical subjects are intersubjectively constituted by the intonation with which they mark their places in the world. The corpus of this work was constituted, therefore, by a publication of the Musical Corporation Euterpe Operária, on the social network Facebook, in which one sees all the preparatory stages of a music band, before its presentation to the public. Through the investigation of this corpus, it was aimed to analyze such an event within the scope of the concept of polyphony, as Mikhail Bakhtin understands in his work Problems of Dostoevsky’s Poetics. From the methodological point of view, this dissertation was based on an interpretative work, with an analytical-descriptive bias. Because it is a work that was based epistemologically and axiologically in the field of Bakhtinian studies, this methodological way was covered by the dialectical and dialogical character, it is a dialogue (necessarily tense) among subject positions, which exist through the coexistence in the unity of singular, unrepeatable events. This dialogue, dialectically, consisted of a contraposition that propitiates and demands the replica and the another view. As conclusions of this research, it was shown the pre-rehearsal of musical corporation as polyphonic event, since the voices and consciences are perceived in the chain of utterances that interact in gestures, as equal righted, independent, each of them with own world and unmerged.