Use este identificador para citar ou linkar para este item: http://repositorio.ufla.br/jspui/handle/1/46191
Título: As condições de produção dos discursos das feminilidades: sujeitos e sentidos encenados
Título(s) alternativo(s): The conditions of discourse production of femininities: subjects and senses performed
Autores: Cano, Márcio Rogério Oliveira
Silva, Luciana Soares da
Carreira, Rosângela Aparecida Ribeiro
Costa, Eliane Gonçalves da
Palavras-chave: Discurso da feminilidade
Condições sócio-históricas de produção
Cenografia
Análise do discurso
Femininity discourse
Discourse analysis
Femininity discourse
Conditions of the discourse production
Scenography
Data do documento: 9-Abr-2021
Editor: Universidade Federal de Lavras
Citação: PENA, L. N. As condições de produção dos discursos das feminilidades: sujeitos e sentidos encenados. 2021. 102 p. Dissertação (Mestrado em Letras) – Universidade Federal de Lavras, Lavras, 2021.
Resumo: The present work researches the conditions of discourse production by femininities discourses and their effects of sense. The work is part of Discourse Analysis and the Grupo de Pesquisa de Leitura e Produção do Discurso (GPLPD- UFLA). Since the feminist and gender studies, femininities have become a theme of social and academic relevance. Considering the multidisciplinary of discourse analysis, it is aimed to articulate the knowledge of different areas studies organized by discourse analysis. Therefore, the corpus is set off by posts of Instagram fan pages that have femininities as a theme. The corpus is organized in three categories considering the positioning related to the conditions of discourse production, as they the femininity emphasized, the femininity idealized, and the femininity resistance. The scene of enunciation, especially the scenography, and the conditions of discourse production are the categories of analysis to comprehend the discourse of femininities. In addition, it is approached how the subject is constituted and performed, considering the studies of Orlandi (2015), Goffman (1995), and Maingueneau (2015). The scene of enunciation, a category introduced by Maingueneau (2015), allows one to consider the enunciation dimension and the roles that the enunciating takes on the discourse. The scenography embraces the acting of the wording and the scenes engaged to validate the discourse. The conditions of discourse production set off Courtine (2014) and Orlandi (2015), embrace centrality in the work because they are considered as a potential encapsulation of the subject and the sense. Thus, it was made a historical review of the conditions of discourse production of the femininities, set off by Priore (2006) and Wolf (2019). The results show the complexity of the femininity subject which reveals multiple possible identities of the contemporary. Furthermore, it is noticed the dispute of the femininities senses, which is placed in the edge of the memory and the reformulation of the discourse and the identities emphasized the interdiscoursive relation that is established in these discourses.
URI: http://repositorio.ufla.br/jspui/handle/1/46191
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