Pós-modernidade e agenciamentos trajetivos: passagens insituáveis para uma educação estético-ético-política

Abstract

The article investigates how the post-modern condition emerges as a narrative is forged for it, which raises questions about how formative experiences are produced throughout post-modernity itself. The hypothesis sustain that the conception of post-modernity is the production of a narrative that, insofar as it describes itself, creates its own analytic without dispensing with aesthetic, ethical and political relations. To this purpose, the article explores two works by the French painter Balthus: The passage of Commerce of SaintAndre (1952-1954) and The Street (1933), in order to explore how a trajectivitie policy is consolidated in post-modernity and how, from it, it is possible to produce other trajectivities aiming the formation of postmodern subjects. In the end, it is argued that post-modernity emerges as a radicalization of problematizing scenarios of a series of paths that place us in the perspective of intercommunication under a triple formative challenge that has not ceased to interpose itself for us since modernity: the search for an aesthetic, ethical and political formation.