Para uma poética citacional: isto não é um documentário, de Marcos Siscar

Abstract

The objective of this work is to investigate the ways in which the quote appears in the book of poems Isto não é um documentário, by the poet, professor and translator Marcos Siscar, published in 2019 by the publisher 7Letras. The choice is justified by the diversity of citational procedures and poetic forms that the work presents, by the relevance of the author, who has a consolidated critical fortune both in relation to his poetic production and in relation to his theoretical production and also by the importance that such procedures have assumed in the academic discussion. To do this, it was based mainly on Marjorie Perloff, Tiphaine Samoyault and Antonie Compagnon to understand citation as a more comprehensive concept, which also involves intertextuality and non-originality. It was based on Haroldo de Campos and Walter Benjamin to discuss the processes of translation and transcreation; in Rosa Maria Martelo and Antonio Costa, for the analysis of the relationships between poem and cinema and in Merleau-Ponty, Walter Benjamin, Octavio Paz, Jacques Rancière and Giorgio Agamben for discussions regarding the ways in which the poem deals with the dimensions of time, space and subjectivity by which it is constituted. As general notes, we consider that Isto é não um documentário radicalizes the citational practice and the experience with non-traditional poetic forms to think of the poem as a field where the notion of reality is tested and transformed.